ÿþ<!DOCTYPE HTML> <html> <head> <title> curriculum vitae </title> <script language="javascript"> function createWindow(url, name, features) { var wnd = window.open(url, name, features) } </script> <link rel="stylesheet" href="../css/styles.css" type="text/css"> </head> <body> <table align="center" border="0" width="100%"> <tr> <td height="50"> </td> </tr> <tr align=left valign=top> <td colspan="2" valign=top> <a name="biography"> <div class="size16">Biography Driessens &amp; Verstappen</a></div><p> <i> Erwin Driessens</i>, Wessem 22-02-1963<br> <i> Maria Verstappen</i>, Someren 16-12-1964<p> Address:<br> Eikenweg 9 d/e<br> 1092 BW Amsterdam<br> Netherlands <p> tel. +31 06 28405798<br> email notnot@xs4all.nl<p> Since 2001 represented by gallery <a href="javascript:createWindow('http://www.vousetesici.nl', 'VOUS ETES ICI', '')">VOUS ETES ICI</a>, Amsterdam<p><br> </td> </tr> <tr> <td colspan="2"> <a name="education"></a> <div class="size16">Education</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1988-91 </td> <td><i>Rijksakademie</i>, Amsterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1982-87 </td> <td><i>Academy of Fine Arts</i>, Maastricht<p><br> </td> </tr> <tr> <td colspan="2"> <a name="solo"></a> <div class="size16">Solo Exhibitions</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td><i>Shifting Landscapes</i>, gallery VOUS ETES ICI, Amsterdam, <a href="javascript:createWindow('VEI2010.html', 'Shifting Landscapes', 'width=840, height=630')">pictures</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td><i>Tschumi Tulips</i>, Tschumi Pavilion, Groningen, <a href="javascript:createWindow('tschumitulips.html', 'Tschumi Tulips', 'width=900, height=650')">pictures</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2005 </td> <td><i>Morphogenesis</i>, gallery VOUS ETES ICI, Amsterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2002 </td> <td><i>Follicle</i>, Mediamatic, Amsterdam, <a href="javascript:createWindow('mediamatic.html', 'Follicle', 'width=660, height=630')">pictures</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2001 </td> <td><i>Driessens &amp; Verstappen</i>, gallery VOUS ETES ICI, Amsterdam, <a href="javascript:createWindow('vousetes.html', 'VOUS ETES ICI', 'width=740, height=610')">pictures</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2000 </td> <td><i>Driessens &amp; Verstappen</i>, Consortium, Amsterdam, <a href="javascript:createWindow('conso.html', 'Consortium', 'width=740, height=630')">pictures</a><p> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td><i>To infinity and beyond</i>, Exedra, Hilversum <p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1999 </td> <td><i>Un, deux, trois, soleil</i>, Chapelle du Gen&ecirc;teil, Ch&acirc;teau-Gontier, France<p> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td><a name="breed"></a><i>Breed</i>, Galerie für Landschaftskunst, Hamburg<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1997 </td> <td><i>Driessens &amp; Verstappen</i>, Chapelle du Gen&ecirc;teil, Ch&acirc;teau-Gontier, France<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1996 </td> <td><i>Driessens &amp; Verstappen</i>, gallery Le Sous Sol, Paris, France<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1995 </td> <td><i>Erwin Driessens &amp; Maria Verstappen</i>, Optica, Montr&eacute;al, Canada<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td><i>The Factory</i>, gallery O, Brussels, Belgium<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1994 </td> <td><i>(Un)controlling</i>, SMBA Stedelijk Museum Bureau, Amsterdam<br> double presentation with Georgina Starr<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1990 </td> <td><i>Exhibition</i>, Museum Fodor, Amsterdam<p><br> </td> </tr> <tr> <td colspan="2"> <a name="group"></a> <div class="size16">Group Exhibitions</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2011 </td> <td> <i>Pearls of the North</i>, Palais d'Iéna, Paris, <a href="javascript:createWindow('http://www.pearlsofthenorth.com/', 'PotN', '')">website Pearls of the North</a><br> represented by gallery VOUS ETES ICI, Amsterdam, curated by J&eacute;r&ocirc;me Lef&egrave;vre and Caroline Smulders<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Dropstuff</i>, part of the Collateral Events of the 54th Venice Biennial, <a href="javascript:createWindow('venice2011.html', 'Hotter Colder', 'width=840, height=600')">picture</a><br> organisation Pleinmuseum Foundation/Centraal Museum Utrecht, <a href="javascript:createWindow('http://dropstuff.nl/en/kunstwerken/hotter-colder/', 'Dropstuff', '')">website Dropstuff</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td> <i>Alter Nature</i>, Z33, Hasselt, Belgium, <a href="javascript:createWindow('AlterNature.html', 'Alter Nature', 'width=830, height=630')">pictures</a><br> with a.o. Hans op de Beeck, Antti Laitinen, Mark Dion, Michael Sailstorfer, Driessens &amp; Verstappen, Natalie Jeremijenko, Azuma Makoto, Merijn Bolink, David Benqu&eacute;, Eduardo Kac<br> curated by Karen Verschooren, <a href="javascript:createWindow('http://www.z33.be/projecten/alternature', 'Alter Nature', '')">website Z33</a><br> <a href="javascript:createWindow('http://www.we-make-money-not-art.com/archives/2011/01/alter-nature-we-can.php', 'review', '')">review we-make-money-not-art</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>For Real</i>, 28 utopian projections in the public space of Maastricht and Hasselt<br> with a.o. Broersen &amp; Luk&agrave;cs, Thomas Burke, Brody Condon, Chris Cornish, Driessens &amp; Verstappen, Stephen Honegger, Harald Hund &amp; Paul Horn, Dagmar Keller &amp; Martin Wittwer, Michael Najjar, Jan van Neunen, Saskia Olde Wolbers, Jacco Olivier, Hans Op de Beeck, Nicolas Provost, Christine Rebet, Hiraki Sawa<br> organised by Viewmasters Foundation, Maastricht, curated by Bart van den Boom, <a href="javascript:createWindow('http://www.for-real.eu/', 'For Real', '')">website For Real</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Process as Paradigm</i>, Art in development, flux and change, LABoral, Gij&oacute;n, Spain, <a href="javascript:createWindow('laboral.html', 'Process as Paradigm', 'width=740, height=610')">pictures</a><br> with a.o. Boredomresearch, Ralf B&auml;cker, Ursula Damm, Driessens &amp; Verstappen, Peter Flemming, Roman Kirschner, Allison Kudla, Luna Maurer, Marta de Menezes, Henrik Menn&eacute;, Leo Peschta, Julius Popp, Casey Reas, Antoine Schmitt, Warren Sack<br> curated by Susanne Jaschko and Lucas Evers, <a href="javascript:createWindow('http://www.laboralcentrodearte.org/en/exposiciones/el-proceso-como-paradigma-23.04-30.08.2010', 'LABoral', '')">website LABoral</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>It was twenty years ago today...</i>, Part 2 - Mainly on canvas, gallery VOUS ETES ICI, Amsterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Het Proces</i>, The Process, Arti et Amicitiae, Amsterdam<br> with Driessens &amp; Verstappen, Remko Scha, Jochem van der Spek, P. Struycken, <a href="javascript:createWindow('http://www.arti.nl/tentoonstelling.php?id=217', 'Het Proces', '')">website Arti et Amicitiae</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>INSIDE</i>, Cordoaria Nacional, Lisbon, Portugal<br> with a.o. Bill Vorn, Catherine Chalmers, Driessens &amp; Verstappen, Eduardo Kac, Kathleen Rogers, Ken Goldberg, Marta de Menezes, Miguel Chevalier, Oron Catts, Philip Ross, Roman Kirschner, Stelarc, Suzanne Anker<br> curated by Leonel Moura, <a href="javascript:createWindow('http://www.wix.com/inside_lx/insidearteciencia', 'INSIDE', '')">website INSIDE</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>CONFINES, Geography of the Border</i>, IVAM Valencian Institute of Modern Art, Valencia, Spain, <a href="javascript:createWindow('confines.html', 'Confines', 'width=840, height=670')">picture</a><br> with a.o. R&amp;Sie(n), Alexander Ross, Los Carpinteros, Tom Sachs, Marcos Novak, El Anatsui, Carsten H&ouml;ller, Teddy Cruz, Ball-Nogue, Driessens &amp; Verstappen, Erwin Wurm, Greg Lynn, Dinisio Gonzales, Antony Gormley, Hussein Chalayan, Ryan McGinnes, Julie Mehretu, Julius Popp, Matthew Ritchie, Esther Stocker, Chris Woebkin<br> curated by Aaron Betsky, <a href="javascript:createWindow('http://www.ivam.es/en/exhibitions/2798-geography-of-the-frontier:2009', 'Confines', '')">website IVAM Center</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Pioneers of Change</i>, as part of NY400, Nolan Park, Governors' Island, New York, USA<br> with 2012 Architecten, Atelier NL, Maarten Baas, Cooper-Hewitt, National Design Museum NY, Franck Bragigand, Marije Vogelzang, Herman Verkerk, Rianne Makkink and Hansje van Halem, Experimental Jetset, Pascale Gatzen, Christien Meindertsma, MVRDV and The Why Factory, Painted, Driessens &amp; Verstappen, Arthur Elsenaar &amp; Taconis Stolk, Parsons The New School for Design, Platform21, Marcel Schmalgemeijer, Michael Schoner, Richard Hutten, Atelier van Lieshout, Chris Kabel<br> curated by Renny Ramakers, <a href="javascript:createWindow('http://www.pioneersofchange.com/', 'Pioneers', '')">website Pioneers of Change</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Nature as Artifice</i>, New Dutch Landscape in Photography and Video Art, George Eastman House, Rochester NY/Aperture Gallery, New York, USA<br> curated by Maartje van den Heuvel<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Foodprint</i>, Food for the city, BINK 36,The Hague, <a href="javascript:createWindow('foodprint.html', 'foodprint', 'width=830, height=610')">pictures</a> <br> D&amp;V contributed with <i>Tomato Habitus</i>, a site and time specific project designed for Foodprint, <a href="javascript:createWindow('http://stroom.typepad.com/foodprint/tomatohabitus.html', 'Foodprint', '')">website Tomato Habitus</a><br> with a.o. Atelier van Lieshout, Bohn &amp; Viljoen Architects, Agnes Denes, Helmut Dick, Driessens &amp; Verstappen, Winy Maas with The Why Factory, Gordon Matta Clark, Christien Meindertsma, Nils Norman, Raul Ortega Ayala, Giuseppe Penone, Debra Solomon, Frank Lloyd Wright, Yang Zhichao<br> curated by Marieke Berkers, initiated &amp; produced by Stroom, The Hague<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Super Stories</i>, 2nd edition of the Hasselt Triennial, Z33, Hasselt, Belgium, <a href="javascript:createWindow('superstories.html', 'The Factory', 'width=860, height=620')">picture</a><br> with a.o. Maarten Baas, Aldo Bakker, Harmen Brethouwer, Krijn de Koning, Driessens &amp; Verstappen, Thomas Gr&uuml;nfeld, Jongeriuslab, Germaine Kruip, Thomas Rentmeister, Studio Job, Studio Makkink &amp; Bey, Sylvie Zijlmans <br> curated by Koos Flinterman, <a href="javascript:createWindow('http://www.superstories.be', 'Super Stories', '')"> website Super Stories</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td> <i>Nature as Artifice</i>, New Dutch Landscape in Photography and Video Art, Neue Pinakothek, M&uuml;nchen/Kr&ouml;ller-M&uuml;ller Museum, Otterlo<br> with Hans Aarsman, Jannes Linders, Wout Berger, Henze Boekhout, Edwin Zwakman, Cary Markerink and Theo Baart, Hans van der Meer, Theo Baart, Marnix Goossens, Driessens &amp; Verstappen, Hans Werlemann, Bas Princen, G&agrave;bor &Ouml;sz, Gerco de Ruijter, Gertjan Kocken, Frank van der Salm, Arnoud Holleman, Xavier Ribas<br> curated by Maartje van den Heuvel<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Borders</i>, Museum Boijmans Van Beuningen, Rotterdam<br> curated by Frank Bruggeman and Ernst van der Hoeven<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Playtime</i>, B&eacute;tonsalon, Paris, France<br> curated by M&eacute;lanie Bouteloup and Gr&eacute;gory Cast&eacute;ra, <a href="javascript:createWindow('http://playtime.betonsalon.net/playtime2008/', 'Playtime', '')">website B&eacute;tonsalon</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Deep Screen</i>, Art in Digital Culture, Stedelijk Museum, Amsterdam<br> with Mark Bain, Pierre Bastien, Persijn Broersen &amp; Margit Luk&aacute;cs, Driessens &amp; Verstappen, David Jablonowski, JODI, Gabriel Lester, Meiya Lin, Erica van Loon, Luna Maurer, Nathaniel Mellors, Geert Mul, Marnix de Nijs, Gert-Jan Prins, Remko Scha, Roland Schimmel, Jochem van der Spek, Jasmijn Visser<br> curated by Andreas Broeckmann<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Unfinished Business</i>, Dutch Abstracts, Kunstverein Medienturm, Graz, Austria<br> curated by Jan Robert Leegte and Jan Maarten Voskuil, <a href="javascript:createWindow('http://www.medienturm.at/mt.php?id=2&sid=290&k=full&_pid=584&sp=EN', 'Medienturm', '')">website Medienturm</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>P2P</i>, Casino, Forum d'Art Contemporain, Luxembourg<br> curated by Le Bureau, Paris<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2007 </td> <td> <i>BIOS 4</i>, CAAC Andalusian Center of Contemporary Art, Seville, Spain<br> curated by Antonio Cervera Pinto, <a href="javascript:createWindow('http://www.c-lab.co.uk/default.aspx?id=8&mode=view&eventid=84', 'BIOS 4', '')">review C-lab</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Genesis</i>, Life at the end of the information age, Centraal Museum, Utrecht<br> with Mark Dion, Driessens &amp; Verstappen, Eduardo Kac, Saskia Olde Wolbers, Marc Quinn, Koen Vanmechelen a.o.<br> curated by Emilie Berg Gomart, <a href="javascript:createWindow('http://centraalmuseum.nl/ontdekken/set/?q=genesis#e:11814', 'CMU', '')">website CMU</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Contour/Continuity</i>, Museum Het Prinsenhof, Delft<br> curated by Jan Hein Sassen and Jaap van den Ende<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>Natural Habitat</i>, NMAI Netherlands Media Art Institute, Amsterdam<br> curated by Annet Dekker, <a href="javascript:createWindow('http://nimk.nl/eng/search/natural-habitat', 'Natural Habitat', '')">website NMAI</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Slow Motion</i>, Museum Boijmans van Beuningen, Rotterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>L'esprit des Lieux</i>, Domaine de Chamarande, Chamarande, France<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>UPDATE, the origin</i>, Zebrastraat, Ghent, Belgium<br> with Peter Beyls, Jean-Louis Boissier, Anouk De Clercq, Edmond Couchot &amp; Michel Bret, Chris Cunningham, Fran&ccedil;ois Curlet, Jean-Marie Dallet, Koen De Decker, Driessens &amp; Verstappen, Masaki Fujihata, Jerry Galle, Thierry Guibert, Evan Holloway, Peter Kogler, Piotr Kowalski, Christian Laroche, William Latham, Sol Lewitt, Lia, Matt Mullican, David Renaud, Sodaplay, Koen Theys, Erki de Vries<br> produced by Liedts Meesen Foundation, curated by Jean-Marie Dallet<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2005 </td> <td> <i>Pleinmuseum</i>, mobile pavilion, seven cities in the Netherlands and Belgium, <a href="javascript:createWindow('pleinmuseum.html', 'pleinmuseum', 'width=740, height=540')">pictures</a><br> with Merlijn Twaalfhoven, Bea de Visser, Driessens &amp; Verstappen, Peter Missotten, Martijn Engelbregt, P. Struycken and Piet Rogie<br> produced by Pleinmuseum Foundation and Centraal Museum, Utrecht, curated by Meta Knol, <a href="javascript:createWindow('http://www.pleinmuseum.nl', 'Pleinmuseum', '')">website Pleinmuseum</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>About land, sea and faces</i>, Present-day Dutch Video Art, Museum Het Valkhof, Nijmegen<br> with Jasper v/d Brink, eddie d, Jan Dietvorst &amp; Roy Villevoye, Driessens &amp; Verstappen, Rineke Dijkstra, Rob Johannesma, Jeroen Kooijmans, Jeroen Offerman, Julika Rudelius, Fiona Tan<br> produced by the NMAI Netherlands Media Art Institute, curated by Bart Rutten, <a href="javascript:createWindow('http://m.nimk.nl/eng/exhibition/about-land-sea-and-faces/full', 'NMAI', '')">website NMAI</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2004 </td> <td> <i>Looping</i>, Chapelle du Gen&ecirc;teil, Ch&acirc;teau-Gontier, France<br> with Michael Dans, Yannick Demerle, Bertrand Gadenne, Didier Marcel, Guiseppe Penone, Eric Poitevin<br> curated by Bertrand Godot<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Open Borders</i>, Tri Postal, Lille, France<br> Exhibition of European Art, Design and Architecture, Cultural Capital of Europe<br> curated by Renny Ramakers of Droog Design<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Emerging Technologies</i>, Siggraph 2004, Convention Centre, Los Angeles, USA<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2003 </td> <td> <i>About land, sea and faces</i>, Present-day Dutch Video Art, Erasmushuis Djakarta, Indonesia<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>ROBOT</i>, Eyebeam, New York, USA, <a href="javascript:createWindow('eyebeam.html', 'ROBOT', 'width=730, height=600')">pictures</a><br> with Natalie Jeremijenko, Chico MacMurtrie, Chris Csikszentmihalyi<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2002 </td> <td> <i>Selective Whole</i>, Raid Projects, Los Angeles, USA<br> produced by Parel Foundation, Amsterdam <p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2000 </td> <td> <i>Suite Voices 2</i>, gallery VOUS ETES ICI, Amsterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Hard/Soft/Wet: Artificial Lives</i>, Artspace Visual Arts centre, Sydney, Australia<br> with Driessens &amp; Verstappen, Autonomous Radio, Christa Sommerer &amp; Laurent Mignonneau<br> curated by Leah Grycewicz and Mitchell Whitelaw<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Collection &eacute;t&eacute;</i>, FRAC Lorraine, Galerie des Arts, Bl&eacute;nod-les-Pont-&agrave;-Mousson, France<br> with Pierrick Sorin, Driessens &amp; Verstappen, Jochen Gerz, Philippe Parreno, Ernest T., Stephen Hughes<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>C(sea)</i>, Lokaal 01, Breda<br> with Ab van Hanegem (curator), UN Studio Ben van Berkel, Driessens &amp; Verstappen, David Reed, Gerald van der Kaap, Peter Struycken, Bernard Frize<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Samenscholing</i>, Bonnefantenmuseum, Maastricht<br> with Raymond Cuijpers, Driessens &amp; Verstappen, Stan Klamer, Mathilde ter Heijne, Norbert Grunschel, Fransje Killaars, Roy Villevoye<br> curated by Paula van de Bosch <p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1999 </td> <td> <i>Officina Europa</i>, Villa delle Rose, Galeria d'Arte Moderna, Bologna, Italy<br> with Angela Bulloch, Liam Gillick, Lily van den Stokker, Inez van Lamsweerde, Skall, and many others<br> curated by prof. Renato Barilli<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Corps &aacute; Corps</i>, University of Technology, Compi&egrave;gne, France<br> with Aziz + Cucher, Keith Cotthingham, Bertrand Gadenne, Mickael Joo, Orlan<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1998 </td> <td> <i>Organic</i>, Palais des Arts, Les Abattoirs, Toulouse, France<br> with Michel Blazy, Hubert Duprat, Anya Gallacio, Thomas Gr&uuml;nfeld, Hans Haacke, Wendy Jacob, Matthieu Manche, Driessens &amp; Verstappen, Max Mohr, Yayoi Kusama, Atelier van Lieshout<br> curated by Pascal Pique<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1997 </td> <td> <i>MU</i>, Arti et Amicitiae, Amsterdam<br> with Rineke Dijkstra, Gerald van der Kaap, Joseph Kosuth, Peter Struycken, Rabotnik, Peter Schat, KKEP, Yariv Alter Fin, and many others<br> curated by Paul Groot<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Genuine Fiction, the real thing</i>, W139, Amsterdam<br> with Tom Claassen, Cor Dera, Guillaume Paris, David Miles, Maurice van Tellingen, and many others<br> curated by Jean Bernard Koeman<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1994 </td> <td> <i>Le b&eacute;n&eacute;fice du doute</i>, gallery Le Sous Sol, Paris, France<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1993 </td> <td> <i>Le b&eacute;n&eacute;fice du doute</i>, Optica, Montr&eacute;al, Canada<br> with Jean Sylvain Beith, Corinne Corry, Driessens &amp; Verstappen, Nicole Jolicoeur, Denis Lessard, Claude L&eacute;v&egrave;que, Lani Maestro, Andr&eacute; Martin, Andre&iuml; Roiter, Lydia Schouten, Nell Tenhaaf<br> curated by Alain Reinaudo, Diane Gougeon, Annie Molin-Vasseur<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>En Sc&egrave;ne</i>, part 3, W139, Amsterdam<br> with Jean Sylvain Beith, Krijn de Koning, Alan Murray, Martine Neddam, Lydia Schouten<br> curated by Dominique Pelletey<p><br> </td> </tr> <tr> <td colspan="2"> <a name="commissions"></a> <div class="size16">Commissions</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2011 </td> <td> <i>Make a Forest</i>, residency on deforestation and desertification, Soleil d'Afrique, Bamako, Mali<br> in assignment of Throwing Snowballs, <a href="javascript:createWindow('http://www.makeaforest.org/videos/?p_id=58&a=video', 'Make a Forest', '')">website Make a Forest</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Hotter Colder</i>, contribution for Dropstuff at the 54th Venice biennial<br> in assignment of Pleinmuseum Foundation/Centraal Museum, Utrecht, <a href="javascript:createWindow('http://dropstuff.nl/en/kunstwerken/hotter-colder/', 'Dropstuff', '')">website Dropstuff</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Tomato Habitus</i>, site &amp; time specific installation for Foodprint<br> in assignment of Stroom, The Hague<br> part of the project consists of a website: <a href="javascript:createWindow('http://stroom.typepad.com/foodprint/tomatohabitus.html', 'Tomato Habitus', '')">website Tomato Habitus</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td> <a name="NRC"></a> <i>Het Tweede Gebruik</i>, 4 publications for the newspaper NRC Handelsblad, <a href="javascript:createWindow('NRC.html', 'Tweede Gebruik', 'width=1030,height=480')">info/pictures</a><br> in assignment of NRC, edited by Bianca Stigter<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>E-volver</i>, LUMC Research Labs, Leiden University Mediacal Center, Leiden<br> in assignment of LUMC and SKOR, Amsterdam, <a href="javascript:createWindow('http://www.skor.nl/artefact-2429-nl.html?lang=en', 'E-volver', '')">website SKOR</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2004 </td> <td> <i>Birth coin Princess Catharina-Amalia</i>, concept/design of the ten-euro coin, <a href="javascript:createWindow('coinflip.mpg','Coin Video', 'width=364, height=300')" > coin video</a><br> produced by the Royal Dutch Mint, in assignment of the Dutch Ministry of Finance, <a href="javascript:createWindow('http://www.herdenkingsmunt.nl/domains/default/pages/content.aspx?content=14410000000013_2_10000000001651&contentcode=MAIN_GEBOORTEMUNT&navid=14440000000043_14440000000010', 'Ministry of Finance', '')">website Ministry of Finance</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2003 </td> <td> <i>Time Warp</i>, W.G. Witteveenplein, Kop van Zuid, Rotterdam<br> in collaboration with Arnoud Holleman, in assignment of CBK Center for Fine Arts, Rotterdam <br> part of this public artwork consists of a website:<a href="javascript:createWindow('http://www.witteveenplein.com', 'Time Warp', '')"> www.witteveenplein.com</a><p><br> </td> </tr> <tr> <td colspan="2"> <a name="screenings"></a> <div class="size16">Screenings/Competitions a.o.</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Evolution Haute Couture, art and science in the post-biological age</i>, Laboratories Art &amp; Science Space, Moscow, RU<br> screenings of the NCCA Art-Science Archives at the 3rd Moscow Biennial of Contemporary Art<br> curated by Dmitry Bulatov<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Science as Suspense</i>, Winzavod, Center for Contemporary Arts, Moscow/Manez, Central Exhibition Hall, St. Petersburg, RU<br> screenings of the NCCA Art-Science Archives<br> curated by Dmitry Bulatov<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td> <i>Evolution Haute Couture, art and science in the post-biological age</i><br> NCCA National Center for Contemporary Arts/Kaliningrad Art Gallery, Kaliningrad, Russia, <a href="javascript:createWindow('http://www.videodoc.ncca-kaliningrad.ru/eng/', 'NCCA', '')">website NCCA</a><br> curated by Dmitry Bulatov<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>IX Media Forum 2008</i>, Era Foundation, Moscow, Russia<br> screenings of the NCCA Art-Science archives at the XXX Moscow International Film Festival<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Seasonal Cuts</i>, International Festival of Film and Video Art, Beirut, Lebanon<br> curated by Nat Muller and Bart Rutten<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2007 </td> <td> <i>Pleinmuseum at Nuit Blanche Paris</i>, Place de la Bastille, Paris, France<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Pleinmuseum at the 52nd Venice Biennial</i>, Riva dei sette Martiri, Venice, Italy<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Haut Les Pays-Bas!</i>, Le Cargo, Caen, France<br> produced by Institut Hollandais Paris/Transat Video, curated by Brent Klinkum<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> </td> </tr> <tr> <td width="8%" align="left" valign="top">2005 </td> <td> <i>Kleurbeurs</i>, Beurs van Berlage, Amsterdam<br> produced by Sikkens Foundation<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2003 </td> <td> <i>RGB</i>, 20th edition of the World Wide Videofestival, De Melkweg, Amsterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2002 </td> <td> <i>VIDA 5.0</i>, Foundation Telef&oacute;nica, Madrid, Spain<br> 1st prize International competition on Art &amp; Artificial Life, <a href="javascript:createWindow('http://www.fundacion.telefonica.com/at/vida/vida10/paginas/ev5.html', 'VIDA 5', '')"> website Telef&oacute;nica</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Mediamatic Screen</i>, Mediamatic, Amsterdam, <a href="javascript:createWindow('mediamatic2.html', 'Frankendael', 'width=430, height=340')">picture</a><br> open air projection,<a href="javascript:createWindow('http://www.mediamatic.net/article-200.6224.html', 'Mediamatic Screen', '')"> website Mediamatic</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Sonar</i>, Centre de Cultura Contemporania de Barcelona, Spain<br> 9th. International Festival of Advanced Music and Multi Media Art<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1999 </td> <td> <i>VIDA 2.0</i>, Foundation Telef&oacute;nica, Madrid, Spain<br> 1st prize International competition on Art &amp; Artificial Life, <a href="javascript:createWindow('http://www.fundacion.telefonica.com/at/vida/vida10/paginas/ev2.html', 'VIDA 2', '')">website Telef&oacute;nica</a><p><br> </td> </tr> <tr> <td colspan="2"> <a name="conferences"></a> <div class="size16">Conferences/Symposia</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2011 </td> <td> <i>In Contact</i>, Centraal Museum, Utrecht<br> an interview with Edwin Jacobs, director of the Centraal Museum<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td> <i>bkkc/De Pont Artists Dialogues</i>, Museum De Pont, Tilburg<br> Maria Verstappen in dialogue with Alex de Vries<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2007 </td> <td> <i>Batteries not included, Mind as Machine</i>, Music Hall, Shrewsbury, UK<br> Darwin summer symposium on AI, curator Paul Brown<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Sentient Creatures 2.0</i>, Waag Society, Theatrum Anatomicum, Amsterdam<br> Lecture series on robotics, curated by Graham Smith<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>Close Encounters</i>, UvA University of Amsterdam<br> 4th European biennial conference of the SSLA Society for Science, Literature and the Arts<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2004 </td> <td> <i>Big Blip 04</i>, University of Brighton, UK<br> Conference Creative Arts, Science and Technology, edited by Jon Bird and Andy Webster<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Unsorted, Sonic Acts X</i>, Paradiso, Amsterdam <br> Electronic art &amp; music conference, edited by Taco Stolk, Arie Altena, Lucas v/d Velde, Gideon Kiers<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2001 </td> <td> <i>Second Iteration</i>, Monash University, Melbourne, Australia<br> Conference on generative systems in the electronic arts, edited by John McCormack and Alan Dorin, <a href="javascript:createWindow('http://www.csse.monash.edu.au/~iterate/SI/speakers.html', 'Secons Iteration', '')"> website Monash</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2000 </td> <td> <i>WIRE 2000</i>, Carnegie Mellon University, Pittsburgh, USA<br> International conference on robotics<p><br> </td> </tr> <tr> <td colspan="2"> <a name="teaching"></a> <div class="size16">Teaching/Lectures</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2011 </td> <td> <i>Coin Workshop 2011</i>, Ministry of Finance/Royal Dutch Mint/Rijksakademie, Amsterdam (coaching)<p> </td> </tr> <tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Ambacht/Craft</i>, AKV St. Joost Academy of Fine Arts &amp; Design, Den Bosch (lecture)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td> <i>White Lady Lecture Series</i>, De Witte Dame, Design Academy, Eindhoven (lecture)<p> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Driessens &amp; Verstappen</i>, HKU School of Fine Arts, Utrecht (lecture &amp; guest teaching)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td> <i>Art that breeds Art</i>, research-group, Interfaculty ArtScience, KABK Royal Academy of Fine Arts, The Hague (teaching)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Monte Verit&agrave;</i>, Studium Generale, Gerrit Rietveld Academy, Amsterdam (lecture)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Metacreation</i>, Frank Mohr Institute, Groningen (since 2002 annual guest teaching)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>TU/e</i>, Dept. of Industrial Design, University of Technology, Eindhoven (coaching)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2005 </td> <td> <i>Ins &amp; Outs</i>, AKI Festival 2005, Enschede (lecture)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2004 </td> <td> <i>Natural Processes and Artificial Procedures</i>, Willem de Kooning Academy, Rotterdam (lecture)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Driessens &amp; Verstappen</i>, Xtra Faculty, KABK Royal Academy for Fine Arts, The Hague (lecture)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2003 </td> <td> <i>Creating the unforseen, the unthought and the unknown</i>, Basque Country University, Bilbao, Spain (summercourse)<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2002 </td> <td> <i>The other way around</i>, Gerrit Rietveld Academy, Amsterdam (workshop)<p><br> </td> </tr> <tr> <td colspan="2"> <a name="collections"></a> <div class="size16"> Public Collections</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2011 </td> <td> <i>Achmea Art Collection</i>, Zeist, <a href="javascript:createWindow('http://www.achmeakunstcollectie.nl/main.asp?p=pa3', 'collection Achmea', '')">collection Achmea</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Centraal Museum</i>, Utrecht<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td> <i>Museum Boijmans van Beuningen</i>, Rotterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>MMK, Museum f&uuml;r Moderne Kunst</i>, Frankfurt am Main, Germany<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Erasmus MC Art Collection</i>, Rotterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td> <i>Stedelijk Museum</i>, Amsterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>NCCA Art-Science Archives</i>, National Center for Contemporary Art, Kaliningrad, Russia<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2007 </td> <td> <i> NMAI Distribution Collection</i>, Netherlands Media Art Institute, Amsterdam, <a href="javascript:createWindow('http://catalogue.nimk.nl', 'NMAI collection', '')">collection NMAI</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>Achmea Art Collection</i>, Tilburg<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Akzo Nobel Art Foundation</i>, Arnhem<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>FDAC Essonne</i>, Fonds D&eacute;partemental d'Art Contemporain, Chamarande, France, <a href="javascript:createWindow('http://www.fdac91.ac-versailles.fr/spip.php?article153', 'collection FDAC', '')">collection FDAC</a><p> </t> </tr> <tr> <td width="8%" align="left" valign="top">2005 </td> <td> <i>Achmea Art Collection</i>, Tilburg<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Museum Boijmans van Beuningen</i>, Rotterdam<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2002 </td> <td> <i>ABN Amro Collection</i>, Netherlands<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2001 </td> <td> <i>Centraal Museum</i>, Utrecht<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1997 </td> <td> <i>CNAP</i>, Centre National des Arts Plastiques, Paris, France, <a href="javascript:createWindow('http://www.cnap.fr/', 'CNAP', '')">collection CNAP</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1996 </td> <td> <i>FRAC Lorraine</i>, Fonds R&eacute;gional d'Art Contemporain, Metz, France, <a href="javascript:createWindow('http://collection.fraclorraine.org/?lang=en', 'collection FRAC', '')">collection FRAC Lorraine</a><p><br> </td> </tr> <tr> <td colspan="2"> <a name="publications"></a> <div class="size16"> Publications/Catalogues/Books</div><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td> <i>The Politics of the Impure</i>, V2 Publishing, Rotterdam<br> edited by Joke Brouwer, Arjen Mulder and Lars Spuybroek, contributions by a.o. Arjun Appadurai, Wim Delvoye, Lynn Margulis, Raj Patel, Casey Reas, Isabelle Stengers, Bruce Sterling, ISBN 978 90 5662 748 5, <a href="javascript:createWindow('http://www.v2.nl/publishing/the-politics-of-the-impure/view', 'V2 publ.', '')">website V2</a><br> <a href="javascript:createWindow('http://metropolism.com/boeken/boekenweek-the-politics-of-the-i/', 'review Metropolis M', '')">review D. Ruyters, Metropolis M</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Form + Code, in Art, Design and Architecture</i>, Princeton Architectural Press, USA<br> authors Casey Reas and Chandler McWilliams, design LUST, ISBN 978 1 56898 937 2, <a href="javascript:createWindow('http://formandcode.com/', 'Form + Code', '')">website Form+Code</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Enfoldment and Infinity, An Islamic Genealogy of New Media Art</i>, MIT Press, USA<br> author Laura U. Marks, ISBN 0 262 01421 1, <a href="javascript:createWindow('http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=12257', 'MIT Press', '')">website MIT Press</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Evolution Haute Couture</i>, NCCA National Center for Contemporary Arts, Kaliningrad, Russia<br> edited by Dmirty Bulatov, essays Dmitry Bulatov and Roy Ascott, ISBN 978 5 94620 054 7<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Science as Suspense</i>, Dynasty Foundation, Moscow, Russia<br> essays Konstantin Bokhorov, Dmitry Bulatov, Stephen Wilson<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>INSIDE</i>, Art and Science, Editora LxXL, Lisbon, Portugal<br> essays Marcos Cuzziol, Carlos M. Fernandes, Leonel Moura, Henrique Garcia Pereira, Daniel Dennett<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>CONFINES</i>, IVAM Institute of Contemporary Art, Valencia, Spain<br> essays Vincenzo Trione, Jeam-Luc Nancy, Robert Storr, Francesco Casetti, Aaron Betsky, Harald Falckenberg, a.o.<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>SuperStories</i>, Artbook Foundation/Triennial Hasselt, Belgium<br> essays Koos Flinterman, Louise Schouwenberg and Ann van Sevenant, design Geoffry Brusatto<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2008 </td> <td> <i>Deep Screen, Art in Digital Culture</i>, Stedelijk Museum, Amsterdam<br> essays Andreas Broeckmann and Sophie Tates, design Kummer &amp; Herrman, ISBN 978 9 05006 175 9<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Design by Evolution, Advances in Evolutionary Design</i>, Springer Verlag, Berlin, Germany<br> edited by P. Hingston, L. Barone, Z. Michalewicz, ISBN 978 3 540 74109 1, <a href="javascript:createWindow('http://www.springer.com/computer/artificial/book/978-3-540-74109-1', 'Springer', '')">website Springer</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Nature as Artifice, New Dutch Landscape in Photography and Video Art</i>, NAi Publishers, Rotterdam<br> edited by Maartje van den Heuvel and Tracy Metz, design Reynoud Homan, <a href="javascript:createWindow('http://www.naipublishers.nl/kunst/nature_nl.html', 'NAi', '')">website NAi</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Art Embodies A-Life, The VIDA Competition</i>, essay Nell Tenhaaf, Leonardo, vol.41 #1, USA, <a href="javascript:createWindow('http://www.mitpressjournals.org/doi/abs/10.1162/leon.2008.41.1.6', 'MIT Press', '')">website MIT Press</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2007 </td> <td> <i>Genesis, Life at the End of the Information Age</i>, Centraal Museum, Utrecht<br> edited by Emilie Gomart, design Lesley Moore<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Contour - Continu&iuml;teit</i>, Museum Het Prinsenhof, Delft<br> edited by Jaap van den Ende and Jan Hein Sassen, design Wigger Bierma and Ingo Offermans<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Museum Van Nagsael</i>, Veenman Publishers, Rotterdam<br> edited by Silvia B. and Rolf Engelen, design RogerTeeuwen, ISBN 90 8546 071 9<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>Onderwijs, Wetenschap en Kunst, SKOR Kunstprojecten Deel 3</i>, SKOR, Amsterdam<br> edited by Liesbeth Melis and Martine van Kampen, essay Mariska van de Berg, design Coppens &amp; Alberts<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Update 1, The Origin</i>, Zebrastraat, Ghent, Belgium<br> edited by Jean-Marie Dallet, design F&eacute;lix M&uuml;ller &amp; Chantal Grossen<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>E-volver</i>, publication with CD-ROM, SKOR, Amsterdam<br> edited by Mariska van de Berg and Maria Verstappen, essay Klaas Kuitenbrouwer, design Coup<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Sonic Acts XI, The Anthology of Computer Art</i>, publication with DVD, Sonic Acts, Amsterdam<br> edited by Gideon Kiers and Lucas van de Velde, design Coup<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>De film in</i>, Boekie Boekie #61, Autoped, Rotterdam<br> edited by Jet Manrho, short-story by Josien Laurier<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Mediamatic Screen 1-12</i>, Mediamatic Off-Line vol.11#1, Amsterdam<br> essay Jorinde Seijdel, design Marcel de Laat/Willem Velthoven, DVD Yariv Alter Fin<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2005 </td> <td> <i>Art and Biotechnologies</i>, DVD, Presses de l'Universit&eacute; du Qu&eacute;bec, Canada<br> edited by Louise Poissant and Ernestine Daubner<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Morphogenesis</i>, VOUS ETES ICI, Amsterdam <br> edited by Hans Gieles and Francis Boeske, interview by Arie Altena, design Dorp&amp;Dal<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2004 </td> <td> <i>Unsorted, An A to Z for SonicActsX</i>, Sonic Acts Press/De Balie, Amsterdam<br> edited/interview by Arie Altena, design Will<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Looping</i>, Le Carr&eacute;, sc&egrave;ne nationale de Ch&acirc;teau-Gontier, France<br> edited by Bertrand Godot, essay Pierre Giquel<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Information Arts, Intersections of Art, Science and technology</i>, MIT Press, USA<br> author Stephen Wilson, ISBN 0 262 73158 4<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Droog Event #1, Open Borders</i>, Cultural Capital of Europe, Lille, France<br> edited by Renny Ramakers and Wendel ten Arve, design Designlab<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Metacreation, Art and Artificial Life</i>, MIT Press, Cambridge Massachusetts, USA<br> author Mitchell Whitelaw, ISBN 0 262 64056 2, <a href="javascript:createWindow('http://mitpress.mit.edu/catalog/item/default.asp?sid=8414845E-B65E-4EE8-8389-97472950DA4A&ttype=2&tid=10080', 'MIT Press', '')"> website MIT Press</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2003 </td> <td> <i>On Wonder and Betrayal</i>, Kybernetes, Journal of Systems &amp; Cybernetics, Vol.32 #1, MCB Press/Emerald, UK<br> author Alan Dorin, <a href="javascript:createWindow('sublime_Kybernetes.pdf', 'A.Dorin', '')">pdf article</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Kleien met DNA</i>, Metropolis M #4, Utrecht<br> edited by Arie Altena, essay Arie Altena<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>We Show Art, 10 Years SMBA</i>, Artimo/SMBA Stedelijk Museum Bureau, Amsterdam<br> edited by Martijn van Nieuwenhuyzen, design Mevis &amp; Van Deursen<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Morphogenetics, Generative Processes in the work of Driessens and Verstappen</i>,<br> Digital Creativity #14, Swets &amp; Zeitlinger Publishers, essay Mitchell Whitelaw, edited by Paul Brown, <a href="javascript:createWindow('Morphogenetics.pdf', 'M.Whitelaw', '')">pdf article</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2002 </td> <td> <i>Exedra, Tussen Lijn, Feit en Fictie</i>, Exedra Foundation, Hilversum<br> edited by Phillip van den Bossche and Claudine Hellweg, design Vanessa van Dam, ISBN 90 9015303 9<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Het Blinkende Stof, Op zoek naar een nieuw visioen</i>, Uitgeverij Querido, Amsterdam<br> author Anna Tilroe, ISBN 90 214 84587<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2001 </td> <td> <i>Design by the mm3, Picturing Coins</i>, Publisher BIS/Rijksacademie, Amsterdam<br> edited by Lillet Breddels, design Irma Boom, ISBN 90 6369 011 8<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Creative Evolutionary Systems</i>, Morgan Kaufmann Publishers, San Francisco, USA<br> edited by P. Bentley and D. Corne, essay Mitchell Whitelaw, ISBN 1 55860 673 4<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2000 </td> <td> <i>C(sea)</i>, Lokaal 01, Breda<br> edited by Ab van Hanegem, essay Ad van Rosmalen<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1999 </td> <td> <i>Ima Traveller</i>, Le Carr&eacute;, Centre Culturel des Ursulines, Ch&acirc;teau-Gontier, France<br> edited by Bertrand Godot, essay by Emmanuelle Lequeux, <a href="javascript:createWindow('text_Lequeux.html', 'E.Lequeux', '')">catalogue text</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Officina Europa</i>, Galleria d'Arte Moderna, Edizione Mazzotta, Milan, Italy<br> edited by Doriana Comerlati, essay prof. Renato Barilli<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1997 </td> <td> <i>The International Design Yearbook</i>, Laurence King Publishing, London, UK<br> edited by Philippe Starck and Conway Lloyd Morgan<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1995 </td> <td> <i>The Factory</i>, Driessens &amp; Verstappen, Amsterdam<br> essay Grazia Quaroni, <a href="javascript:createWindow('text_Quaroni.html', 'G.Quaroni', '')">catalogue text</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1994 </td> <td> <i>Le b&eacute;n&eacute;fice du doute</i>, Les cahiers des regards, France<br> edited by Alain Reinaudo, essays Catherine B&eacute;dard, IJsbrand van Veelen<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1990 </td> <td> <i>Model Spaces</i>, artists pages, Artscribe # 84, International Magazine of New Art, London, UK<p><br> </td> </tr> <tr> <td colspan="2"> <a name="press"></a> <div class="size16"> Press</div><p> </a> </td> </tr> <tr> <td width="8%" align="left" valign="top">2010 </td> <td> <i>Alles Stroomt</i>, Anne Berk, Financieel Dagblad, <a href="javascript:createWindow('AllesStroomtFD.pdf', 'Alles Stroomt', '')">text article</a><p><p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2009 </td> <td> <i>Kunst laten ontstaan</i>, Rianne Groen, Tubelight #65, <a href="javascript:createWindow('http://www.tubelight.nl/Articles/view/854/Kunst_laten_ontstaan', 'Tubelight', '')">online article in dutch</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Sprookjesachtige wiskundige details</i>, Sandra Smets, NRC Handelsblad<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2006 </td> <td> <i>Bodies by Design</i>, Lisa Delgado, illustrations Jean Servaas, RES magazine, vol.9 #3, USA<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2004 </td> <td> <i>What's real? Observatories on nature</i>, Francesca Picchi, Domus #874, Italy<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2003 </td> <td> <i>Een jong park en een oude boom als kunstobject</i>, Yvonne Keunen, Rotterdams Dagblad, <a href="javascript:createWindow('text_Keunen.html', 'Y.Keunen', '')"> text article in dutch</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Duo peurt kunst uit natuur</i>, Maandag Gesloten, Sacha Bronwasser, De Volkskrant<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2001 </td> <td> <i>Organisch en toch bedacht</i>, Couleur Locale, Sacha Bronwasser, De Volkskrant<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Vergezichten 3, De Kietelrobot, Kunst en Artificiele Intelligentie</i>, Anna Tilroe, NRC Handelsblad<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Het oneindige universum volgens Driessens &amp; Verstappen</i>, Claudine Hellweg, Kunstblad<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">2000 </td> <td> <i>De schoonheid van Orde</i>, Maartje den Breejen, Het Parool<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>A cire perdu</i>, Michel Gauthier, Omnibus, France<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1999 </td> <td> <i>Cho-Yaku</i>, Chicohiro Kawamura, AI Japan #1, Byakuya Shobo Publishing, Japan<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Hund wird Knoblauch</i>, Hajo Schiff, Szene Hamburg, Germany<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1997 </td> <td> <i>Computer &amp; Co.</i>, Anne Ring Petersen, Berlingske Tidende, Copenhagen, Denmark<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1995 </td> <td> <i>Affiche</i>, television broadcast BRT 2, Belgium<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1994 </td> <td> <i>(Un)controlling</i>, Dominic van den Boogerd, Flash Art #177, Italy<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>(Un)controlling</i>, Michael Gibbs, Art Monthly #175, UK<p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>Couleur Locale</i>, Ineke Schwartz, De Volkskrant<p> </td> </tr> <tr> <td width="8%" align="left" valign="top">1991 </td> <td> <i>Model Spaces</i>, Stuart Morgan, Artscribe #86,<a href="javascript:createWindow('text_Morgan.html', 'S.Morgan', '')"> text article</a><p> </td> </tr> <tr> <td width="8%" align="left" valign="top"> </td> <td> <i>The art of exhibiting: The exhibition as art</i>, Dominic v/d Boogerd, Metropolis M #1-9<p><br> </td> </tr> </table> </body> </html>